Posts Tagged ‘poem’

Non-Serious Post

Thursday, June 4th, 2009

 

 

     No one can be serious all the time, not even me, so this post will consist of a couple of silly riddles, a cute animal picture, and a poem.

 

Question: What is a metaphor?

Answer: It’s for all those times when only a meta will do.

 

Question: What is a catastrophe?

Answer: A catastrophe is what you have to pay after the catastro.

 

          As far as I know, those are original. They popped into my head while I was driving, but I might have heard them decades ago and they just decided to swim up to the surface of my consciousness. I’m sure there’s a website where you could solve the question.

 

          Continuing my non-serious theme, here’s the cute animal picture. Can you identify the animal?

 chinchilla-crop

 

          It’s a wild chinchilla. I took the photo in Machu Pichu. According to Wikipedia, they are crepuscular mammals, which I suppose means that they move around mainly at dusk. I snapped him around 11 a.m., so this guy was up very early. He was sitting in a gap in the ruins caused by an earthquake, about 15 ft. (5 meters) away, and didn’t seem to mind a bunch of tourists oohing and ahhing over him. The Incas are world famous for their large irregular stone construction techniques, but they also used coursed stone, with equal sized blocks, for some important buildings, though as you can see here, it is not as stable. The buildings made of irregular fitted blocks have not shifted at all.

 

          This is still a fairly short post, so I will bulk it up with a poem from my archives. The poem could be considered serious, but it’s short.

 

 

        Your Poised Hand

 

                        1

These clothes my former lover made

Fit even better as they fade.

 

                        2

There’s frequently a lot of dust

in what we think is solid sand.

In finding out you never trust

your eye or how it feels in hand.

To quench such curiosity,

fling it to the wind! You’ll see

the powder, born in falling grit,

billow, and abandon it.

Then you’ll know exactly just

how much rock and how much dust

were in that pile of so-called sand,

lately lying in your poised hand.

 

                        3

Exactly what you had will then

be known, and never known again.

The clothes she made are wearing thin.

 

 

           © 2009 Edmund Pickett

 

     (This poem may be copied or forwarded, as long as

       you retain the copyright notice and author’s name.)

 

The Birth of Laughter

Wednesday, May 20th, 2009

          

 

 

Jumbling down the street beneath       

umbrellas of colored cellophane,

these turned-up crescents full of teeth

are children, blooming in the rain.

 

Like stained glass mushrooms come alive,

whose powers at last are unconfined,

this motley squad of four or five

is death on sight to a gloomy mind.

 

Squealing, splashing, wet as snails–

    their mothers dressed them warm today

    and now they all drag furry tails–

    the coats that Spring should pack away.

 

Sunshine erupts, with rare bad taste,

baking the splash right out of those

in whom a sudden hope was placed.

Betrayed, they drip, and pout and pose.

 

Their shelters folded turn to swords,

with all hands now repelling boarders.

Past squealing quickly, they now use words,

and some now give, and some take, orders.

 

Old Gloomy would lose heart at this,

but sees a dark cloud on the way

and stands his ground, afraid to miss

the birth of laughter twice in a day.

 

I wait.  Quite soon that shriveled plume

wrapped round each fighting stick will bloom.

They’ll play.  Old me will stand in thrall,

and water will fall and fall and fall.

 

 

© 2009  Edmund Pickett

 

       (This poem may be copied or forwarded as long as

          you retain the copyright notice and author’s name)

As If Led

Wednesday, May 20th, 2009

 

 

As If Led

 

 

                                       I

Spilled blood dies

long before it dries.

With no breath

to flow toward it’s death

comes on fast.

Each cell breathes its’ last

and all stop

as life leaves each drop.

I forget

that what’s now just wet

was once warm;

this splat had a form–

a branched view

of all it flowed through,

blue then red,

circling as if led

by a song

’til something all wrong

slacks the stream.

What leaves then like steam

is all one:

heat, shape, direction.

 

 

                                      II

 

Split in three,

blood’s integrity

eludes us.

More is dangerous

to our lives

than glass shards or knives,

but damage

is harder to gauge.

Shapeless form,

heat that doesn’t warm,

red and blue

circles are a few

of what we

bleed through quietly,

wondering at

the simple fact that

lives are spilled

long before they’re killed.

 

                                     

 

©  2009  Edmund Pickett

 

                 (This poem may be copied or forwarded as long as

                  you retain the copyright notice and author’s name)

Your Poised Hand

Wednesday, May 20th, 2009

 

                        1

These clothes my former lover made

Fit even better as they fade.

 

                        2

There’s frequently a lot of dust

in what we think is solid sand.

In finding out you never trust

your eye or how it feels in hand.

To quench such curiosity,

fling it to the wind! You’ll see

the powder, born in falling grit,

billow, and abandon it.

Then you’ll know exactly just

how much rock and how much dust

were in that pile of so-called sand,

lately lying in your poised hand.

 

                        3

Exactly what you had will then

be known, and never known again.

The clothes she made are wearing thin.

 

 

           © 2009 Edmund Pickett

 

     (This poem may be copied or forwarded, as long as

       you retain the copyright notice and author’s name.)

 

 

Two Clerihews

Wednesday, May 20th, 2009

 

 

(Clerihews are short humorous poems based on the name of a famous person.

Writers or historical figures have been most common in clerihews, but any celebrity

would do. The writers mentioned here may no longer be that well-known…)

 

1

John O’hara bemoaned as a tragic loss

that he was not born Louis Auchincloss,

who himself was surely not even awara

that plebeian scribbler, John O’Hara.

 

2

The last name of Anthony Powell

rhymes with that of Robert Lowell,

which makes no sense, but then

neither did Lowell.

 

© 2009 Edmund Pickett

 

     (This poem may be copied or forwarded as long as

       you retain the copyright notice and author’s name)

 

 

 

 

Lady With Small Dog

Wednesday, May 20th, 2009

 

 

A story by Anton Chekhov,

transposed into verse

 

1

A new arrival made the round one day:

a young lady, with small dog, and a beret;

and people talked and guessed and wondered who.

In Yalta now for nearly fourteen days,

Dimitri Gurov had picked up its’ ways,

and he too was curious for something new.

He saw her walking on the beach, from his chair

in the sidewalk café. She wore a beret

and a small white dog followed her everywhere.

After that he saw her several times a day

in the park or on the square: that same beret,

walking alone, the small dog trotting near.

No one knew her, and she simply became

“The lady with the dog” for lack of a name.

 

“It’s plain she has no friends or husband here,”

Dimitri thought, “It couldn’t hurt at all

if she and I should prove congenial…”

Though not yet forty, Gurov was the father

of teenage sons and a twelve year-old daughter.

Marriage happened to him young, his second year

in college, and now his wife looked sixty.

She was tall and dignified, erect, austere,

and had black eyebrows. She constantly

read books, and always wrote in modern spelling.

“I am a thinking person,” she would claim,

and she called her husband by his full name.

 

Dimitri found her narrow, unappealing

and dumb. She nearly always had her say

around the house,  because he stayed away.

In the years since he had first stepped out on her

he’d lost count, and somehow this dishonor

to the wife extended to the sex as well.

In his opinion, ‘female’ ranked with ‘vermin;’

‘The Lower Breed’ was his pet name for women.

 

He felt that all his life he’d gone through hell

with them; that his past justified his creed,

and yet, he was lost without this ‘lower breed.’

Around men, a dull, stale feeling always blocked

his inner self; he was bored and never talked,

but with women Dimitri felt free…

He knew how to behave and what to say

and even handled silence gracefully.

His character, in an elusive way,

charmed women. His looks, his every action,

had an indefinable attraction

which drew them on, as he well knew, and he

was drawn to them, just as irresistably.

 

Now Gurov knew, from frequent bitter lessons,

an affair, (especially with the decent kind)

which seems adventurous at first and lessens

the monotony of life, will soon unwind

in complicated ways, causing pain

for all, and problems no one can explain.

   (The worst are those who always change their mind

    and can’t get a move on, in short, the Moscow kind)

but each new lovely woman that he met

made him hunger for life, and he’d forget

the sorry past. Love seemed like a new thing,

and it was all so simple and amusing.

 

And so one afternoon, in the cafe

in the park, the lady with the beret

walked slowly to a table and took a seat

near Gurov, who’d just begun to eat.

Dimitri could tell, by the way she wore her hair,

her clothes, her walk, her general air,

that she was upper class, a husband somewhere,

new in town, and becoming more aware

of what her situation tended toward:

she was young, and alone, and also bored…

 

The stories told of immorality

among the Yalta set could hardly be

less true, and Gurov held them in contempt,

as fictions made by those who’d love to be

what they condemn, but shrink from the attempt,

but when this girl sat down not ten feet away,

it brought to mind the things he’d heard them say,

of easy conquests, picnics for the day

in mountain fields…. A thought began to tempt

Dimitri: an affair, quick and quickly done,

a romance with a stranger, with someone

whose very name he lacked– beyond control

at once, the thought of it possessed his soul.

 

He lured the dog his way, and then he scowled,

shaking his finger when it came; it growled,

he teased again.

                           She looked at him and dropped

her eyes. “He doesn’t bite,” she said and stopped,

turning red.

                      “Could I offer him a bone?”

he asked. She nodded. In a friendly tone,

he went on, “You’ve been here for awhile?”

 

“About five days,” she said.

                                                      “Tomorrow I’ll

have somehow managed two full weeks,” he sighed,

and then their talk was briefly set aside.

 

“Time flies,” the lady said, looking away,

“and yet it’s boring!”

                                    “That’s what they all say,”

said Gurov, “and yet these very people live

for years on end in God-forsaken holes

like Belyov or Zhidra and never give

a thought to boredom, but, you set these souls

in Yalta– ‘Oh the dust!’ they cry, ‘le ennui!’

you’d think they spent each winter ‘a Paris!’”

 

She laughed.

                          They finished eating silently,

like strangers, but, when through, quite naturally

departed side by side; and there arose

that playful kind of talk you find in those

who are content and free, who hardly care

in which direction words or steps might bear.

They strolled along nand talked about the strange

effects that night and ocean can arrange,

how lilac sea and lunar gold exchange.

They described the sultry night, which also led

to talk of daytime heat. Dimitri said:

he’d majored in Linguistics but somehow

had gotten into banking; lived in Moscow;

had trained to sing in opera, but threw it in;

and owned two houses…

                                              She had been,

he learned, brought up in Petersburg, but since

her marriage two years past her residence

had been in the town of X–. She planned to spend

another month, although that would depend

on her husband, who might come down.

He worked in government, perhaps a Crown

department, or just some local bureau…

She laughed herself, amused she didn’t know.

And Gurov got a name from her as well,

which was Anna.

                               Later, back in his hotel,

he thought of her, and it seemed a certainty

they’d meet again next day. It had to be.

As he got in to bed he thought how recently

she’d been at school; the shy and awkward way

she laughed or talked with strangers gave it away.

His daughter’s age almost, she was now alone

in circumstances she had never known:

men followed her, or watched, or spoke to her

with one intention, plain, though not expressed–

intentions she could hardly fail to guess.

He thought of her neck, delicate and slender,

her lovely grey eyes.

                                  He was thinking, when sleep came,

“There’s something pathetic about her, all the same.”

 

               (End of Chapter One)

 

 

© 2009 Edmund Pickett

 

         (This poem may be copied or forwarded as long as

            you retain the copyright notice and author’s name)

 

     There are five more chapters I haven’t versified. Of course Gurov’s hopes for a quick anonymous affair don’t pan out. He and Anna become far more involved than that. I recommend that you finish the story in Chekhov’s prose version, and I hope you will then read all his stories, preferably in translation by Constance Garnett.

       Anton Chekhov was not only one of the best writers who ever lived, he was one of the best human beings, and his short life, which ended just before the Russian revolution of 1917, is worth knowing.  Reviews of some of the best books about him are here.

 

 

 

 

The Fourth Draft Celebration Walk

Wednesday, May 20th, 2009

 

 

Writing all night left me drained, undone…

in need of a walk streaked with early sun,

but winter has the sun still earth-blocked here.

Leaving dark porch for windy street I felt fear—

a large black cat broke cover on my right,

crossed third street like blown trash and dropped from sight.

Though not a lot afraid, I was enough

to bear left, my fourth draft celebration walk.

Discovering cause for joy at all was rough,

re-reading the static scenes and wooden talk,

but Five could improve, Six just might be great.

Plays almost write themselves when the hour is late.

So why push my luck tonight? A black cat

says South’s taboo… I can live with that.

 

 

© 2009 Edmund Pickett

 

     (This poem may be copied or forwarded as long as

        you retain the copyright notice and author’s name)

Quakies

Monday, May 18th, 2009

 

 

Above bare limbs of dark quaking aspens,

like ornaments, the stellar sparkles glimmered.

Beneath the trees a poet and, as happens

occasionally, a girl, lay and simmered

in young lust, an appetite all ages

have thought to be a beautiful folly,

a drive this very poet had spent pages

rhapsodizing over, being ‘melancholy,’

using a grander word, almost religious.

 

Now, none of that matters. Her waving legs

blot out the stars and the lacy, deciduous

canopy. He’s strong enough to juggle beer kegs,

if tapping her could be forgot, and she…

unsure if it’s the stars, the trees, or her

insides that quake, drinks it in. A banshee

scream or two, appreciative moans… for her

it’s not the words, but what’s said wordlessly.

 

At the moment, he doesn’t know his name;

because she didn’t ask, neither does she.

Your poet, who just barely overcame

his occupational prerogative

to lie about such uninspiring facts,

still sees those trees backlit so well. To give

a tree’s nickname to lovers maybe lacks

that true poetic touch, but ‘quakies’

gives to panting strangers a name of grace;

I think it fits us all, for I can’t shake these

images of people made of brown lace,

trembling on a dark hill, just holes and scars,

and shining through them, distant flickering stars.

 

 

© 2009 Edmund Pickett

 

                 (This poem may be copied or forwarded as long as

                  you retain the copyright notice and author’s name)

 

Prologue

Monday, May 18th, 2009

From the play “Hanging & Marriage in Barquin County

 

Prologue

(spoken by Billy Sam)

 

A road strikes south from San Antone

on a line that’d get ya here,

but vanishes in sand and stone

and cactus even the winds fear.

 

Worse is true of the buckboard track

takes off from Brownsville north by east—

it don’t get here and don’t go back.

A man takes it’s a good as deceased.

 

We have no airport or railroad line

but finding us, if you have a mind,

involves no work, no thought, no cost—

to get here, you have to be lost.

 

 

©2009 Edmund Pickett

 

 

 

                 (This poem may be copied or forwarded as long as

                  you retain the copyright notice and author’s name)

 

 

 

 

 

 

Hail

Monday, May 18th, 2009

(The Battle of Fredericksburg, 1862)

 

The battles I cannot forget are those

where the hail of lead strikes down the crop and blows

all life from upright men who fall in rows,

thrashing among the shattered stalks, like corn

objecting to harvest, wanting reborn.

 

 

© 2009 Edmund Pickett

 

                 (This poem may be copied or forwarded as long as

                  you retain the copyright notice and author’s name)